I’m Not There enchants

This film is not Walk the Line. It’s not Ray or Capote. It’s not even really a biopic, at least not in the usual sense of the word. I’m Not There gives us a film about Bob Dylan where the focus is not Bob Dylan—not his life, anyway. Instead, the film’s focus is a complexly structured examination of artistry. We get a dissection of the artistic mind, and we see the interactions of that mind with the outside world. The result of this bold experiment is a far richer film than its biopic predecessors.

Wright wins with Atonement

I’ve heard nothing but good things about Atonement, so I was glad to finally get a chance to see it. With all the hype surrounding it, the film had a lot to live up to in my expectations.

Untraceable leaves no mark

If I had to sum Untraceable up in two words, I’d probably say “missed opportunity.” It is a movie that makes one consistently think about why it should be better.

Heigl charms in decent 27 Dresses

Every young girl has fantasies about her ideal wedding: what her dress will look like, what flowers she will carry down the aisle and—most importantly—who will be standing at the altar waiting for her.

Two Bits Man advises freshmen on delicate art of switching majors

All right, freshmen, you’ve failed enough tests by now to realize that it’s time to switch to an easier major. This special two-part column gives an unbiased rundown of the educational opportunities available to you at Tech. Week One focuses on the often overlooked majors not in the College of Engineering (because the College of Engineering won’t let them in).